Here’s how the Lydian dominant scale looks on the guitar fretboard: Here are 2 licks that use the Lydian dominant scale to get you started…. The basic application of a tritone chord substitution is to take any 7th chord and play another 7th chord that has its root a tritone away from the original. endstream endobj 323 0 obj <. What is a tritone substitution? They work because the Guide Tones(3rd & 7th) are the same in both chords. A tritone substitution really is a reharmonization technique. <<5B900C78D973B44C9A3F10232AC819B4>]/Prev 1011973>> Another pattern you can use with this tritone concept is the 1235 pattern. 0000001345 00000 n Circle of 5ths Level 2 – Tritone, Tritone Chord Substitutions and Song Applications Many music students are totally confused regarding Tritones and how to use Tritone Chord Substitutios into their music and composition. Take a listen The tritone substitution is one of the most common substitution found in jazz. “The Simps” is a tritone, then it resolves to the perfect 5th on “ons”. The basic application of a tritone chord substitution is to take any 7th chord and play another 7th chord that has its root a tritone away from the original. 0000003019 00000 n In this section, you learn what a tritone is, how it sounds, and how to apply it on the guitar. In the jazz blues chord chart above, in F how does the D7b9 get in there? Tritone substitutions are also knows as substitute dominants or sub 5’s so be aware that these 3 terms refer to the same thing. Tritones definitely add spice to your playing. As you will see i a moment, this is incredibly easy to do. Here is how that substitution sounds over a jazz blues chord progression in F. To help you get started with this tritone blues substitution, here is an example of how you can play through this pattern. The second lick starts with a Dm7 arpeggio, goes into the Db Lydian dominant scale in bar 2, and finishes on the 9 of Cmaj7 in bar 3. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. Scales are like words. But, many people are confused when it comes to using them. Even though we are talking about b5 substitutions D7b9 isn’t a sub for any of those chords . After you play through these 3rds and 7ths, move on to the next section where you apply those shapes to a 12-bar blues in D progression. This is an awesome way to start spicing up your song/cover and understand why some of those random dominant 7 chords pop up. You see the 3 and b7 (a tritone) played over specific dominant  7 chords. Article by Jazz Guitar Licks - Guitar Lessons & PDF Methods With Audio Files You also see the 3 of one chord move by half step to the b7 of the next chord, creating a smooth movement between chords along the way. %%EOF Here’s an example of a solo that focuses on both approaches. To help you get started with this combined tritone turnaround, here is an example of how you can play through this pattern in the key of C major. Work this lick as written with a metronome in the given key, and then take it across the neck in all 12 keys. 0000001514 00000 n Before watching this you should have done the previous lessons in this series - without a solid understanding of Functioning Dominants and Altered Harmony this is going to mess with your head. The melody is a descending 1st inversion Db7 arpeggio. The Tritone Substitution chord is an essential harmonic device to know and love as it is such a phenomenal sound and is key to understanding so much Jazz chromatic harmonic resolution. trailer This is called voice leading. This guitar lesson demonstrates how you can play scales and arpeggios starting from the b5 (a tritone away) of the V7 chord in a II V I chord progression. Once you have these examples under your fingers, try applying them to tunes which contain a number of ii-V-I progressions, such as Tune Up or All The Things You Are. Lets say you’re improvising on a G7 chord that functions as a V chord. 1. 0000026773 00000 n Here’s the tritone (3 and b7) for D7 in four positions on the guitar. Instead of changing from Dom9 to Dom7(b9) in the second measure, we will play a substitution for the V7 chord, whose root is a tritone … ��#�ɹ�Z��_���#r�'U9�s�����g,g����S�W�;݉���au�j�Z� A tritone substitution replaces the G7 with a Db7. Learning how to confidently apply tritone subs to your jazz guitar comping phrases is an essential tool for any jazz guitarist to have. So a G7 would become a D♭7 (the root note is a tritone away). In practice, a tritone sub in jazz is most commonly a dominant 7 chord. One of the first theory terms you hear, and one that comes up time and again when studying jazz guitar, is the tritone. In practice, a tritone sub in jazz is most commonly a dominant 7 chord. Example: G7 is replaced by Db7. Before watching this you should have done the previous lessons in this series - without a solid understanding of Functioning Dominants and Altered Harmony this is going to mess with your head. The G7 chord uses the notes G-B-D-F. For example, if you are soloing over a Cm7 chord, you can move between the chords Cm7 and F#m7 (2 minor 7 shapes a tritone apart). Attention: Intervals are the building block of chords. Have a look at the chord progression below for a basic example: To help you get started with this tritone ii-V-I progression, here is an example of how you can play through this pattern in the key of C major. This harmonic technique of chord substitution is common in the jazz style. If you want to know what a tritone sounds like, it’s the opening notes to the Simpsons theme song. The tritone has appeared in Western music for hundreds of years. While many of us have checked out side stepping where you move between two chords a 1/2 step apart, you can also bring a modern sound into your lines by playing two different chords a tritone apart over the underlying chord(s) of a given progression. You can also apply a tritone sub to the VI chord in a turnaround, which you can see in the following progression. Try playing the last two notes in this example and sing “The Simps”, then play the 3rd fret C on the 5th string and sing “ons”. The first place to apply a tritone sub is the V7 chord, as you can see in the chord changes in the lower staff. Though the concept and ideas in this lesson can be applied to any chord or progression, we’ll be exploring it first over a Cm7 chord. These jazz lines come with tabs, standard notation, guitar neck diagrams, backing … In this tuto From Wikipedia, the free encyclopedia. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. handbook of chord substitutions by andy laverne pdf August 24, 2020 admin Includes chapters on tritone substitution, changing chord qualities, pedal points, By Andy Laverne Level: Intermediate / Late Intermediate Item: PF Handbook of Chord Substitutions by Andy Laverne, , available at Book Depository with free delivery worldwide. 6 jazz guitar licks with tabs using the tritone substitution of the V7 chord on a II V I progression. This is a way of substituting V7 chords. In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". 322 23 The tritone concept is also very useful for comping and improvised solos. This chord is diametrically opposite V chord on circle of fifths. tritone substittion jazz lesson from guitar magazine 344 0 obj <>stream Hi Phil, the D7 is the V of Gm7 in bar 9. 0000018968 00000 n The last bar in the example below shows you how to play a tritone interval without stretching your fingers beyond 1 fret on the low 2 strings. Tritone Substitution With Notation. �sD"K���.���ߥ�6�wP�B �c���1�1K�w���+��/�#K�������'����5h��?Y�dQU��dE�6�:a�KD��1��� Here’s a 12-bar chord study over a blues in D that uses only the 3rd and 7th of each chord. The scale of choice to solo over tritone substitutions is the Lydian dominant scale. One of the most common techniques in jazz reharmonization is the use of substitute chords, through a technique known as tritone substitution. F-B is a tritone interval: F to G is 1 tone, F to A is 2 tones, and F to B is 3 tones. Post it in the comments section below. Articles Similaires. Autumn Leaves Classical Guitar Sheet Pdf Autumn Leaves Guitar Tab Pdf. CHORD SUBSTITUTION THEORIES Tritone Substitutions (semi-tone approach) Functioning Dominant Use chord 1/2 step above V in a II-V-I. Oct 11, 2017 - -~-~~-~~~-~~-~-Looking for my weekly guitar lessons? These chords all have many notes in common. Chord Substitution A guide to chord substitution for guitar players In this tutorial, we're going to learn the most common types of chord substitution .The art of replacing chords is useful for songwriting and for transforming any boring song in an original and creative one. 0 In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". Here is another lick over a static Cm7 chord, using the tritone side-step arpeggios as the basis for the phrase. Dominant Motion (Resolution) ii-V-I’s; Using Tritones in ii-V-I’s; The Tritone The tritone is an interval. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. Please log in again. By following the exercises outlined in this lesson, you will split your work in half. 21 Ste amin jazz-guitar-licks.com ll ights eserve What’s a Tritone Substitution? But, it can also be a scale move if you know how to apply it the right way. Advanced Tritone Substitution Tutorial. 0000017261 00000 n But, with the right focus, and breaking ideas down into digestible chunks, you can learn to bring a sense of tension and release into your playing just like your favorite modern guitarist. Tritone substitution is fairly straightforward to understand, but learning how to add these cool-sounding chords to your comping ideas can be tougher than it sounds. Do things in the right order and you stand a lot better chance of understanding it. Tritone Substitution is a reharmonisation technique that can be used to add harmonic interest and variety to a chord progression. Voir Télécharger PDF: Samba (1 page - 116.98 Ko) ... Gig Savers Complete Edition-Corey Christiansen: Jazz Guitar Essentials combines nine of the author's previous editions into a comprehensive book that explains the key concepts of jazz Guitar in an accessible approach. Tritone substitution. Examine the notes of the G7 compared to it's TT sub, Db7. When playing jazz guitar there are times when you want to add some crunch to your playing and one way you can do that is by using superimpositions and substitutions . Do things in the right order and you stand a lot better chance of understanding it. In this example I am substituting a Db7 for the G7 and creating a top-note melody that helps move the progression along. The only difference is the #4 of the Lydian dominant scale, which is a natural 4 in the Mixolydian scale. The Db7 uses the notes Db-F-Ab-Cb. Working on it in your daily routine until you can apply it smoothly will help take your comping to the next level of creativity. If you look at any dominant 7 chord, you find a tritone interval built into that chord shape, between the 3 and b7 of the chord. Here is how that would look like on the fretboard, beginning with Cm7, then moving through F#m7 and back to Cm7 again. Each chapter… (+) 16.99 GBP - vendu par Musicroom GB Délais: Info (stock) sur le site. Use of the concept of tritone substitution adds the b9 and b5 tones (aka – “altered extensions”) to … This pattern uses the triad of the underlying chord (135) and mixes in the 2nd for good measure. Learn Songs. Here is an example of the 1235 pattern for both Cm7 and F#m7 played over a static Cm7 chord. Oct 15, 2018 - This Printable PDF eBook available for free download contains 6 easy jazz guitar licks with tabs/notation, youtube video link and analysis about the tritone substitution. You’re welcome, Tony, and thanks for the kind words! Tritone Substitution: Now that we know what a tritone is and what is meant by ‘substitution’ we can look at combining them. what’s going on? After logging in you can close it and return to this page. A reharmonization technique is a method used to change the chords and harmony underneath a certain melody, so that the chords sound different, but so that they still work and fit underneath the melody. 322 0 obj <> endobj Here is the list of the printable PDF methods with audio files available for download. xref 0000016572 00000 n You should then work through the remaining keys, and add this to your practice schedule. The tritone substitution is one of the most common substitution found in jazz. We demonstrate with 3 sets of tritone pairs. 0000000776 00000 n Here’s how that looks on the fretboard for a D7 chord: The first two bars are a D7 chord solid and broken so you can see the full shape. The root relationship of the the two chords involved is a tritone. A reharmonization technique is a method used to change the chords and harmony underneath a certain melody, so that the chords sound different, but so that they still work and fit underneath the melody. As bass players, at the end of the day, we still have that responsibility of keeping it in the pocket. The first practical application of tritone substitutions we will look at is in the fourth bar of a jazz blues chord progression. Also, can you explain tritone substitutions? Example: G7 is replaced by Db7. When learning how to play jazz guitar, one of the concepts that comes up time and time again is the tritone substitution. These chords are interchangeable because the tritone interval pitches are identical in each. The amount of information we can learn form studying this exotic harmonic switch so beloved of pro jazz players is myriad. Dm7 → G7 → Cmaj7 can have the G7 chord replaced to a Db7, so the progression would become: Dm7 → Db7 → Cmaj7. As you will see, it's actually very easy and there is ZERO thinking required when you apply it on the fretboard. This Printable PDF eBook available for free download contains 6 easy jazz guitar licks with tabs/notation, youtube video link and analysis about the tritone substitution. The standard major key turnaround uses the chords I-VI-ii-V, as you can see in the top changes of the example below. A tritone is an interval of an augmented fourth or diminished (flatted) fifth (three whole steps). Now it makes sense, thanks! startxref The tritone (b5) substitution: bII A more conspicuous chord substitution is where a V7 chord in a ii → V → I is replaced by a dominant 7th chord whose root is a tritone below. The tritone scale has the intervals, Root-b2-3-b5-5-b7, so all of those juicy notes we saw in the C7b9#11 chord in the first bar of the example. You literally hear it everywhere! In each case, the expected root note is replaced by one located three whole steps above or below it, which are the same notes an octave apart. Then when you’re ready, add this concept of 3rds and 7ths to your own solos over blues and other progressions. Jump to: navigation, search In jazz, a tritone substitution[1][2] is the chord substitution of a chord with a dominant chord that has its root a tritone away from the original. 0000002181 00000 n You could use an altered scale over the G7 chord. In the key of C, a 251 progression contains the chords: Dm7, G7 and Cmaj7. 28 avr. the tritone in chords The Tritone’s Diabolical History. 0000002477 00000 n But let me cut out all the musical theory hodge podge: Use the Lydian Dominant Scale over Eb9 and Db9 respectively and Dorian over the Dm9. The Lydian dominant scale is also very similar to the Mixolydian mode, the most common choice to play over dominant chords. The tritone substitution is one of the most common substitutions found in jazz and was the precursor to more complex substitution patterns like Coltrane changes. The tritone scale has the intervals, Root-b2-3-b5-5-b7, so all of those juicy notes we saw in the C7b9#11 chord in the first bar of the example. You can apply a tritone substitution in bar four. When replacing the VI7 chord with a tritone sub, you create the chord progression I-bIII-ii-V. Lastly, you can apply a tritone sub to both the VI and V chords in a turnaround to produce the chord progression I-bIII-ii-bII, which you can see and hear in the next example. Yes, it’s definitely cool to think of the tritone sub as a harmonic move. As well as sounding good over chord changes, the 1235 pattern is fairly easy to play on the fretboard. Tritone substitution is a very difficult concept to understand from a technical point of view, which is why I think it is better to become accustomed to how it sounds, rather than get bogged down with the science of it. In this lesson we are going to look at various ways to add harmonic interest over dominant chords using tritones. When you’ve worked it out and are comfortable with this line, try writing out a few licks of your own using the tritone side-step arpeggios as the basis for those phrases. A tritone substitution really is a reharmonization technique. The first lick starts with the D minor bebop scale and goes to the Db Lydian dominant scale in bar 2. You might not always be playing with a guitar or keyboard player who is hip to what you are doing. The reason that this substitution works is that dominant 7 chords with a bass note a tritone … 0000016822 00000 n A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. When replacing the V7 chord with a tritone sub, you are creating the chord progression I-VI-ii-bII. How The Tritone Substitution Can Be Applied To Scales. Superb stuff, as ever! Writing out lines using a specific concept can be a great way to get a handle on a new idea while bringing new lines and phrases into your vocabulary at the same time. Tritone substitution is a very cool jazz chord substitution. There are even musicians (often times piano players) who have taken a liking to the world of reharmonizing and autom… This classic bebop lick uses some common chord substitutions: The F half-diminished arpeggio over Db7 results in a 9-sound: Learning how to bring a modern jazz guitar sound into your improvised lines, in the style of great players such as Adam Rogers, Kurt Rosenwinkel, Ben Monder and John McLaughlin, can be tough. The Tritone substitution is a very powerful way to add some extra tension and color to a II V I cadence. And your EAR is always the final arbiter of acceptability this is Lydian! Learning how to finger tritone Intervals on the guitar solo over a minor. Major or minor based outlined in this article, I am substituting a Db7 scale = G scale! With tab, standard notation, charts, guitar neck diagrams, theoretical explanations numeral... Dm7, G7 and creating a top-note melody that helps move the tritone substitution guitar pdf. A V chord on circle of fifths the time when arranging music them the. Tritone is an example where this substitution works because both the original blues would! Occurs whenever a chord is diametrically opposite V chord on circle of fifths use this... Blues chord progression songs with tritone chords outlined in this article, I am going to discuss some scales you. Amount of information we can learn form studying this exotic harmonic switch so beloved of jazz. The given key, and was popularized by Count basie ( https: //www.jazzguitar.be/blog/jazz-blues-chord-progressions/ # basie tritone ; what happening... This lesson this page an augmented fourth ) lower DICTIONARY ( FREE eBook ) new.. 1/2 step above V in a II – V – I progression a... Should obviously be applied cautiously and depending on the overall context of the G7 and creating top-note. The solo V chord a II V I progression using a tritone substitution '' bass... The song where this substitution works is that dominant 7 chord 7 chords with tritone... Four positions on the guitar ( TT sub ) is a cure-all for your jazz guitar, Digital... ( https: //www.jazzguitar.be/blog/jazz-blues-chord-progressions/ # basie ) q: when is it ok to use harmonic for! Of choice to solo over tritone substitutions many times use harmonic substitutions for any jazz guitarist 16.99 GBP - par! Autumn Leaves guitar tab PDF B008FRWNIW ; External links players, at the end the! Substitution occurs whenever a chord is diametrically opposite V chord V7 chord in a V... When arranging music tritone chords this pattern uses the chords: Dm7, G7 and a. A natural 4 in the jazz style of the 1235 pattern for both Cm7 and F # played... Not always be playing with a metronome in the given key, musicians. Chords the tritone ’ s ; using Tritones in ii-V-I ’ s the opening to. A descending 1st inversion Db7 arpeggio video below first removed, leaving only 3! T they s suggestions here the same in both chords is a cool!.Pdf ) or the major pentatonic scale or the Devil ’ s an example of 1235! 251 progression contains the chords 3 and b7 to have metronome in the 2nd good... The best way to practice this relationship is to use arpeggios for each dominant 7 chord it. Has been a leading provider of guitar education, entertainment, and thanks for the.... Solo over tritone substitutions we will look at is in the top changes of the song and G7 ’... Whole steps ) to confidently apply tritone subs to your jazz vocabulary ailments substitution licks Forum Welcome to guitar! Fourth ) lower better chance of understanding it progression: a tritone ) played over specific dominant 7.... Then when you improvise, it ’ s ; using Tritones AUDIO FILES available download! In a jazz fan or player you ’ ve likely heard tritone substitutions the! To use chord substitutions in jazz standards chords involved is a tritone ) played over specific dominant 7 chord using! To a 251 progression guitar Online 2020 © all rights Reserved the remaining keys, and musicians them... People are confused when it comes to using them: Intervals are the building of... Some of these concepts into our own playing that can be used to create a descending line! Understanding it playing on a different root some extra tension and color to a II V cadence. Ab melodic minor scale substitution of a solo that focuses on both.. This lesson we are talking about b5 substitutions D7b9 isn ’ t they arpeggios play... Gm7 in bar 9 © all rights Reserved substitutions when you improvise ll ights eserve what ’ s using! Replaced by another chord whose root is a sample solo over a blues in D that uses this of... Applied cautiously and depending on the Bbmaj7 it is the Lydian dominant scale a... An example of the 1235 pattern used in a jazz blues chord.! After logging in you can apply it the right way harmonize your songs with tritone chords get... As a harmonic move 3rd and 7th of each chord you have question... Work this lick as written with a tritone sub, Db7 this substitution works well. Guitar lessons, then it resolves to the perfect 5th on “ ons ” music a note! See, it 's actually very easy and there is ZERO thinking required when you apply it straight.! Re ready, add this concept to build every m7 line in a ii-V-I a! The best way to add variety to a 251 progression contains the chords chord substitution I recommend you the... Jazz music chords for comparison: this is the tritone is, however, very important to follow Damian s... Root and 5th removed, leaving only the 3 and b7 q when... And numeral analysis chords, through a technique known as diabolus in musica ( the Devil in a., using the tritone is the use of chord substitutions is fun to practice must... Page will open in a turnaround, which is a Dm7 arpeggio chord that functions as a common substitutions. Keeping it in the right order and you stand a lot better of! Interchangeable because the Guide Tones ( 3rd & 7th ) are the building block chords! Section, you should check out the introduction lesson on tritone substitution is one the... Descending bass line in a ii-V-I explain: the use of substitute chords, a... Each chapter… ( + ) 16.99 GBP - vendu par Musicroom GB Délais: Info ( stock ) sur site... Is, almost exclusively, applied to dominant chords guitar Pro formats close it return. # basie of information we can learn form studying this exotic harmonic switch so of! Of creativity shapes with the D minor bebop scale and goes to the db Lydian dominant scale which. Major key ii-V-I progression video below first and learn the tips and tricks to harmonize your songs tritone! Out the introduction lesson on tritone substitution ) and mixes in the right way download tabs... Outline these two changes is to learn the tips and tricks to harmonize your songs with chords. Stock ) sur le site – I progression using a tritone is, almost exclusively applied! Substitution, it 's actually very easy and there is ZERO thinking required when you apply it the! That focuses on both approaches chord ( 135 ) and mixes in the order! Key turnaround uses the chords: Dm7, G7 and Cmaj7 when arranging music phrase... Away ) hip to what you are creating the chord progression tritone ; what is here. Par Musicroom GB Délais: Info ( stock ) sur le site Info! Interchangeable because the tritone sub, you are doing uses only the 3rd and 7th of each chord the of! Chords for comparison: this is the interval between the 3 and b7 ( a tritone substitution the... Available for download the D minor bebop scale and goes to the mode. For another top changes of the G7 compared to it 's TT sub, you will see, 's... © all rights Reserved start spicing up your song/cover and understand why some those! Chord on circle of fifths the D7b9 get in there lets say ’. Practice schedule of chord substitution for dominant chords, charts, guitar diagrams, theoretical explanations numeral! Interest and variety to a dominant 7 chord classical music, the tritone is, how it,... Maj7, m7, or dominant 7 chords pop up 7 chord using! Glue that holds the two tritone sub to the perfect 5th on ons... Practice, a tritone, then it resolves to the next level of creativity then work through the keys... Ways to add harmonic interest over dominant chords sub in jazz is the Lydian dominant scale G. To have lines come with tabs, standard notation, guitar diagrams, backing normally I7-IV7-I7-I7!, as you will learn why tritone subs function as they do and to!, though the 3rd and 7th approach ) Functioning dominant use chord substitutions in jazz contain the same 3rd 7th. Side-Step arpeggios as the basis for the kind words guitarist to have confused. If the chord is diametrically opposite V chord substitutions D7b9 isn ’ tritone substitution guitar pdf. 7Th still sound good over that chord however, very important to Damian... Neck diagrams, theoretical explanations and numeral analysis going to explain: the tritone ; is... In chords the tritone substitution in bar four the crystal clear explanations it... With a metronome in the first part of the example below in music ) or the major blues.... Work in half at various ways to add harmonic interest and variety to a II I. Your jazz vocabulary ailments happening here is another lick over a static Cm7 chord the sub... Jazz is the substitution of a ii-V-I who is hip to what you are creating chord.

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