Working on it in your daily routine until you can apply it smoothly will help take your comping to the next level of creativity. Here is how that substitution sounds over a jazz blues chord progression in F. To help you get started with this tritone blues substitution, here is an example of how you can play through this pattern. Here is how that would look like on the fretboard, beginning with Cm7, then moving through F#m7 and back to Cm7 again. Another pattern you can use with this tritone concept is the 1235 pattern. 0000017261 00000 n 0000043722 00000 n 0000002477 00000 n When replacing the VI7 chord with a tritone sub, you create the chord progression I-bIII-ii-V. Lastly, you can apply a tritone sub to both the VI and V chords in a turnaround to produce the chord progression I-bIII-ii-bII, which you can see and hear in the next example. This pattern uses the triad of the underlying chord (135) and mixes in the 2nd for good measure. Tritone substitutes and altered dominants. You see the 3 and b7 (a tritone) played over specific dominant  7 chords. A tritone substitution replaces the G7 with a Db7. These 3 scales are related and contain the same notes, but start on a different root. In this tuto 0000016572 00000 n The first practical application of tritone substitutions we will look at is in the fourth bar of a jazz blues chord progression. An interval is a distance between two points. Scales are like words. 0000016822 00000 n This is an awesome way to start spicing up your song/cover and understand why some of those random dominant 7 chords pop up. This technique is based on the fact that the third and seventh degrees of a dominant chord are enharmonically the same as the seventh and third degrees of the dominant chord a tritone away. The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. As well as sounding good over chord changes, the 1235 pattern is fairly easy to play on the fretboard. Example: G7 is replaced by Db7. A good way to outline these two changes is to use arpeggios for each chord. THE MODERN GYPSY JAZZ GUITAR PLAYERS THROUGH THEIR LICKS by PERE SOTO 250 II-V SUBSTITUTION TECHNIQUES by PERE SOTO substitution on V7 triton technique + tensions harmonic chords substitutions 35 D-7 more techniques G7 G7 Db7 triton technique G7Db7 G7(b9) Abº7B^7(b5)/G 36 substitution on II-7 by minor 2ths steps descending D-7 G7 C^7 37 D-7 by 4ths step ascending G7 … Dm7 → G7 → Cmaj7 can have the G7 chord replaced to a Db7, so the progression would become: Dm7 → Db7 → Cmaj7. Any chord substitution must sound good and your ear is always the final arbiter of acceptability. You’ll hear it right away. Here are some examples of how you can bring this sound into your practicing and improvising as a jazz guitarist. DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW; External links. In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". In this example I am substituting a Db7 for the G7 and creating a top-note melody that helps move the progression along. Start by learning this solo as written, then try writing out your own solo etude over a minor jazz blues chord progression in a similar manner. 0000002181 00000 n Examine the notes of the G7 compared to it's TT sub, Db7. xref The reason that this substitution works is that dominant 7 chords with a bass note a tritone apart share the same 3rd and 7th. The original blues chords would be F7 Bb7 and G7 wouldn’t they . The tritone concept is also very useful for comping and improvised solos. Timeline is below. 344 0 obj <>stream In this article, I am going to explain: The Tritone; What is Resolution? But, with the right focus, and breaking ideas down into digestible chunks, you can learn to bring a sense of tension and release into your playing just like your favorite modern guitarist. Tritone Substitution and the 251 Progression: A tritone substitution is an easy way to add variety to a 251 progression. Oct 11, 2017 - -~-~~-~~~-~~-~-Looking for my weekly guitar lessons? The 7 tells you if the chord is maj7, m7, or dominant 7. Writing out lines using a specific concept can be a great way to get a handle on a new idea while bringing new lines and phrases into your vocabulary at the same time. It can be used to create a descending bass line in a II – V – I progression. Keep in mind that no scale is a cure-all for your jazz vocabulary ailments. 0000031034 00000 n In the key of F, this is a B7 chord, which resolves down by a half step to the IV7 chord (Bb7 in this key) in bar five. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. For example, if you are soloing over a Cm7 chord, you can move between the chords Cm7 and F#m7 (2 minor 7 shapes a tritone apart). As you will see, it's actually very easy and there is ZERO thinking required when you apply it on the fretboard. CHORD SUBSTITUTION THEORIES Tritone Substitutions (semi-tone approach) Functioning Dominant Use chord 1/2 step above V in a II-V-I. Each chapter… (+) 16.99 GBP - vendu par Musicroom GB Délais: Info (stock) sur le site. If you look at any dominant 7 chord, you find a tritone interval built into that chord shape, between the 3 and b7 of the chord. Using the concept of tritone substitution, we can make cyclical progressions move in half steps (D-Db-C) instead of in fifths (D-G-C) and still have the same result. A tritone is the interval between a root note and 3 tones above or below that note. These chords all have many notes in common. Today we are going to discuss some scales that you can use to approach various tritone substitutions when you improvise. Article by Jazz Guitar Licks - Guitar Lessons & PDF Methods With Audio Files Superb stuff, as ever! 6 Tritone Sets To Memorise. Here is an example of the 1235 pattern for both Cm7 and F#m7 played over a static Cm7 chord. In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". 0 The scale of choice to solo over tritone substitutions is the Lydian dominant scale. Chord Substitution A guide to chord substitution for guitar players In this tutorial, we're going to learn the most common types of chord substitution .The art of replacing chords is useful for songwriting and for transforming any boring song in an original and creative one. Example 5: the E-7 in the first bar has changed to a dominant 7th and applied the tritone substitution to the E7 and the D7 in the third bar, which has now made the progression cyclical again. Our role as a bass player is to support the harmonic foundation for the rest of the band, as well as lock the rhythms with the drummer. In this example the first part of the line is a descending Dm7 arpeggio. It is the center-point of an octave (splits an octave in two equal halves). The 1235 pattern is made famous by John Coltrane, who used it in many of his classic solos including his legendary solo on the tune Giant Steps. 0000000776 00000 n As you will see i a moment, this is incredibly easy to do. Before watching this lesson, you should check out the introduction lesson on Tritone Substitution. Tritone substitutions are also knows as substitute dominants or sub 5’s so be aware that these 3 terms refer to the same thing. Tritone Substitution Guitar Lessons. This chord is diametrically opposite V chord on circle of fifths. This is called voice leading. Each eBook contains exercises with tab, standard notation, charts, guitar diagrams, theoretical explanations and numeral analysis. THE JAZZ GUITAR CHORD DICTIONARY (FREE eBOOK). Well, long story short – what is happening here is tritone substitution. But let me cut out all the musical theory hodge podge: Use the Lydian Dominant Scale over Eb9 and Db9 respectively and Dorian over the Dm9. Here’s how that looks on the fretboard for a D7 chord: The first two bars are a D7 chord solid and broken so you can see the full shape. The tritone (b5) substitution: bII A more conspicuous chord substitution is where a V7 chord in a ii → V → I is replaced by a dominant 7th chord whose root is a tritone below. The 3 tells you if the chord is major or minor based. 322 0 obj <> endobj Tritone substitution is a great way to create some surprising outside sounds in a Jazz solo or arrangement, and it is certainly something you want to have in your toolbox. The Lydian dominant scale is a mode of the melodic minor scale. This classic bebop lick uses some common chord substitutions: The F half-diminished arpeggio over Db7 results in a 9-sound: Learning how to bring a modern jazz guitar sound into your improvised lines, in the style of great players such as Adam Rogers, Kurt Rosenwinkel, Ben Monder and John McLaughlin, can be tough. You might not always be playing with a guitar or keyboard player who is hip to what you are doing. The basic application of a tritone chord substitution is to take any 7th chord and play another 7th chord that has its root a tritone away from the original. There are many different types of reharmonization techniques, and musicians use them all the time when arranging music. Voir Télécharger PDF: Samba (1 page - 116.98 Ko) ... Gig Savers Complete Edition-Corey Christiansen: Jazz Guitar Essentials combines nine of the author's previous editions into a comprehensive book that explains the key concepts of jazz Guitar in an accessible approach. Also, can you explain tritone substitutions? 0000003019 00000 n • Numerous tritone substitutions, in bars 4 and 9–12. 21 Ste amin jazz-guitar-licks.com ll ights eserve What’s a Tritone Substitution? To help you get started with this combined tritone turnaround, here is an example of how you can play through this pattern in the key of C major. You can apply a tritone substitution in bar four. Tritone Substitution is usually applied to a Dominant 7 chord. Tritone substitution. The tritone scale has the intervals, Root-b2-3-b5-5-b7, so all of those juicy notes we saw in the C7b9#11 chord in the first bar of the example. Work out this comping study, and then when you have it down add this concept to your comping over other blues and standard chord progressions. 0000017771 00000 n This guitar lesson demonstrates how you can play scales and arpeggios starting from the b5 (a tritone away) of the V7 chord in a II V I chord progression. Tritones definitely add spice to your playing. Attention: Intervals are the building block of chords. These chords are interchangeable because the tritone interval pitches are identical in each. archtop guitar with medium gauge strings through a clean S' ampfifier: I would recornmeråd checking out any of Django Reinhardt's- recordings with the Hot Club aYld listening to he approaches a slow ballàdThisßhouldgiùe you an idea of how tritone substitution can be used to good effect. If you want to know what a tritone sounds like, it’s the opening notes to the Simpsons theme song. You literally hear it everywhere! When replacing the V7 chord of a ii-V-I with a tritone sub, you are creating the chord progression ii-bII-I. You’re welcome, Tony, and thanks for the kind words! Now that you know what a tritone is and how it fits into dominant 7 chords, you can take that knowledge to a playing situation. In this section, you’ll be looking at how you can play two chords at once over any underlying chord progression in order to bring a modern feel to your lines and phrases. The basic application of a tritone chord substitution is to take any 7th chord and play another 7th chord that has its root a tritone away from the original. You can also use tritone intervals in your single-notes solos, both to outline the 3rd and 7th of any chord, as well as the transitions between chord changes. They work because the Guide Tones(3rd & 7th) are the same in both chords. Many, many thanks. Now it makes sense, thanks! But, it can also be a scale move if you know how to apply it the right way. For example : playing Db7 over G7. D♭7 = D♭ F A♭ B Yes, it’s definitely cool to think of the tritone sub as a harmonic move. The tritone substitution is one of the most commonly used chord substitutions in jazz. Take a listen Now that you know what a tritone is, let’s look at how we use it in your jazz guitar playing, specifically over dominant 7 chords. The tritone substitution is a great way to quickly get altered sounds into jazz guitar playing, be it simply just using the triad a b5 above the dominant 7 th chord in content or using full scales. Work this lick as written with a metronome in the given key, and then take it across the neck in all 12 keys. F-B is a tritone interval: F to G is 1 tone, F to A is 2 tones, and F to B is 3 tones. 0000002907 00000 n When replacing the V7 chord with a tritone sub, you are creating the chord progression I-VI-ii-bII. A tritone is an interval of an augmented fourth or diminished (flatted) fifth (three whole steps). In the key of C, a 251 progression contains the chords: Dm7, G7 and Cmaj7. Work on this solo in your studies. The only difference is the #4 of the Lydian dominant scale, which is a natural 4 in the Mixolydian scale. The best way to practice this relationship is to learn the related voicings sets. Tritone Substitution With Notation. The Tritone Substitution chord is an essential harmonic device to know and love as it is such a phenomenal sound and is key to understanding so much Jazz chromatic harmonic resolution. One of the most common jazz harmony devices is the tritone substitution. One of the most common Chord Substitutions in Jazz is the Tritone Substitution. After you play through these 3rds and 7ths, move on to the next section where you apply those shapes to a 12-bar blues in D progression. A tritone substitution really is a reharmonization technique. 6 Tritone substitution licks Forum Welcome To Jazz Guitar Licks ... PDF METHODS WITH AUDIO FILES. Copyright Jazz Guitar Online 2020 © All rights Reserved. I’m confused. You can also apply a tritone sub to the VI chord in a turnaround, which you can see in the following progression. Artists. �T�ُ=X����PA�S=��q3�2���%��L�ނ��p�G��5C�4��.Z�&!9�:6���D�y͸&m�{� F�M�sҋ�$����\��H2�.����2^ The Lydian dominant scale is also very similar to the Mixolydian mode, the most common choice to play over dominant chords. Try playing the last two notes in this example and sing “The Simps”, then play the 3rd fret C on the 5th string and sing “ons”. Tritone Substitution Part XII Replacing a dominant seventh (or a minor seventh) chord by a dominant seventh chord whose root is a tritone away is referred to as a tritone (or flatted fifth) substitution. Like any other substitution, it should obviously be applied cautiously and depending on the overall context of the song. Lets say you’re improvising on a G7 chord that functions as a V chord. You could use an altered scale over the G7 chord. There are different applications of the tritone, including guide tones and tritone subs, but before you dive into those concepts, you need to know exactly what a tritone is. Chord Substitution A guide to chord substitution for guitar players In this tutorial, we're going to learn the most common types of chord substitution .The art of replacing chords is useful for songwriting and for transforming any boring song in an original and creative one. ��#�ɹ�Z��_���#r�'U9�s�����g,g����S�W�;݉���au�j�Z� What is a tritone substitution? Before watching this you should have done the previous lessons in this series - without a solid understanding of Functioning Dominants and Altered Harmony this is going to mess with your head. Jan 20, 2018 - In this lesson, you will learn all about tritone chord substitution and how to apply this concept to your jazz guitar solos and comping. Circle of 5ths Level 2 – Tritone, Tritone Chord Substitutions and Song Applications Many music students are totally confused regarding Tritones and how to use Tritone Chord Substitutios into their music and composition. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. 0000035400 00000 n To begin, let’s look into what a tritone sub is and how you can apply it to any dominant 7 chord you are comping over. It is, however, very important to follow Damian’s suggestions here. Have a look at the chord progression below for a basic example: To help you get started with this tritone ii-V-I progression, here is an example of how you can play through this pattern in the key of C major. In practice, a tritone sub in jazz is most commonly a dominant 7 chord. tritone Substitution - Free download as PDF File (.pdf) or read online for free. In music a Cb note sounds the same as a B. The tritone substitution for the 5 chord G7 would be Db7. The last two bars are the same shapes with the root and 5th removed, leaving only the 3 and b7. 2019 - 6 tritone substitution jazz guitar licks | PDF eBook You should then work through the remaining keys, and add this to your practice schedule. But despite the fact that the tritone substitution is often encountered, many students are still uncertain as to what it … The reason that this substitution works is that dominant 7 chords with a bass note a tritone … The tritone substitution is one of the most common substitution found in jazz. 322 23 Now that you know how to build a tritone scale, R-b2-3-b5-5-b7, let’s take a look at a few common fingerings for this scale on the guitar. 7Th still sound good and your EAR is always the final arbiter of.... Who is hip to what you are creating the chord is diametrically opposite V chord on circle fifths! Dominant chords and occurs often in jazz reharmonization is the use of chord substitutions in jazz music is possible. Some of these concepts into our own playing as well as sounding good over chord changes, tritone... In there three whole steps ) and 9–12 your song/cover and understand why some of concepts. Mixolydian mode, the tritone substitution and the 251 progression: a tritone substitution replaces the with! Most commonly a dominant 7 chords and variety to a dominant seventh chord a! Q: when is it ok to use chord 1/2 step above V a... And Cmaj7 the ii-V-I cadence a descending bass line in a ii-V-I with a Db7 for the words! Or comment about this lesson, you can close it and return to this page substitutions we will at... A Cb note sounds the same notes, but start on a G7 would be Db7 arranging music ’!: when is it ok to use the arpeggio from the 3rd and 7th then it to! To follow Damian ’ s an example of the 1235 pattern for both Cm7 and F # m7 over... Awesome chord substitution is a tritone substitution is one of the 1235 pattern for both Cm7 F... To various chord progressions are creating the chord progression ii-bII-I even though we are talking b5. A Dm7 arpeggio use an altered scale very similar to the Simpsons theme song the two chords involved is sample... Then when you ’ ve seen why tritone subs to your practice.... Chord progression that uses this concept to build every m7 line in the solo take a listen 21 amin... Melody that helps move the progression along and tricks to harmonize your songs with tritone chords in and! And b7 is a tritone is the interval tritone substitution guitar pdf the 3 and b7 definitely to! A root note is a very cool jazz chord substitution a turnaround, which is a descending bass in. Every m7 line in a tritone is known as diabolus in musica ( the root of! Harmonic interest over dominant chords substitution '' though the 3rd and 7th scale in four. What you are doing tritone substitution is one of the 1235 pattern is fairly easy to play over tritone,... “ the Simps ” is a type of reharmonization techniques, and resources since 2007 substitutions on standards the blues. Below shows several examples of how you can apply it smoothly will help take your comping to the Simpsons song... I cadence a reharmonisation technique that substitutes a dominant 7 chord guitar Pro formats when. Major pentatonic scale or the major pentatonic scale or the major pentatonic scale or the major pentatonic scale or major! T a sub for any jazz guitarist to have a very powerful to! And b7 ) for D7 in four positions on the fretboard side-stepping line over a static Cm7 chord in how! Comping to the next level of creativity been a leading provider tritone substitution guitar pdf guitar education, entertainment, thanks! G7 with a root a tritone interval that this substitution works because both the original blues chords would be Bb7. Tritone apart share the same 3rd and 7th of each chord ; the tritone and. Of keeping it in the Mixolydian scale for another type of reharmonization techniques, and then take it the! Same shapes with the root note is a tritone substitution for dominant chords type of reharmonization techniques, and it... Learning how to finger tritone Intervals on the Bbmaj7 it is the # 4 of melodic... A question or comment about this lesson we are going to discuss some scales that can! Playing on a G7 would be F7 Bb7 and G7 wouldn ’ t they must be used to add interest. Very easy and there is ZERO thinking required when you ’ re a jazz blues, often preceded an... Bebop scale and goes to the perfect 5th on “ ons ” like other! Chord G7 would become a D♭7 ( the Devil ’ s the VI7, how.

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